The astronaut's eyes slowly open, just as he realizes that his helmet is about to crack open completely, leaving him at the merci of the vacuum of outer space, doomed to certain death. As it finally explodes, and the glass particles shatter on his face and the infinity of vastness around him, his eyes begin to bleed, and his body finally surrenders to his fate. Lifeless, he continues to float, as if suspended in a moment of eternal slumber, at the end of his instantaneous suffering.
The opening scene of Hadrian's Wall #1 (of projected eight total issues), a new haunting and effective sci-fi comic thriller, is on par with Image's other outer-space-terror limited series, Nameless. Its protagonist, Simon Moore, is a pill-popping detective assigned to investigate the death of the afore-mentioned astronaut, who just happened to also be married to Moore's ex-wife and for whom Moore shares little compassion. When Moore arrives at the titular space vessel, he is less than enthused to run into his ex, Annabelle; she, in turn, is even less thrilled to see him there. The brief scene in which they quarrel and argue over minute details of their past - something reminiscent of most couples, and a common element of nearly every marriage - is executed with just the right amount of wit and hostile "tenderness".
Written by Kyle Higgins and Alec Siegel and illustrated by Rod Reis, Hadrian's Wall possesses a visual style that is a unique hybrid of high-end Hollywood animation and the underground art scene in galleries of twentieth-century New York city (Andy Warhol, anyone?). The artwork, by Reis, appears very glossy, and almost digital, evocative of some of the better animated movies aimed at adults, most notably Beowulf (2007).
Rod Reis' style is worth admiring
The result is a sharp and intriguing set-up for what promises to be a top-notch detective story - infused with both the scientific and the horrific - worthy of our time and attention. Hadrian's Wall will likely capture your attention from its opening frame, and haunt you well after you've flipped the last page. It's a futuristic trip into the mysteries of an unknown (likely) terror, in the most final of all frontiers.
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